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Waltz for Ever

Joe Haider Trio

Waltz for Ever

Price: € 14.95
Format: CD
Label: Double Moon Records
UPC: 0608917135121
Catnr: DMCHR 71351
Release date: 02 November 2018
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Label
Double Moon Records
UPC
0608917135121
Catalogue number
DMCHR 71351
Release date
02 November 2018

"... A dandy oasis of solid playing that doesn’t need affect or effect to make it’s succinct point..."

Midwestrecord, 01-8-2020
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Artist(s)
Composer(s)
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About the album

Worth Listening to Again and Again!
If you did not know better, you would shake your head in disbelief: Joe Haider was actually born in 1936. In other words, he was born in Darmstadt three years before the outbreak of the Second World War. During that World War, he danced waltz with his mother – his father was busy elsewhere. Later, the pianist Haider, who became familiar with European music tradition at a conservatory and African-American jazz aesthetics thanks to working with countless US luminaries, composed waltzes for all his wives; he was married a total of three times. Now, he is continuing to “waltz further” into the end of time. At any rate, this is suggested by the title of his sixth trio album, Waltz For Ever, which oscillates between wisdom and power.

Haider, a Swiss national by choice, is accompanied on this wonderfully varied album by two Swiss jazz musicians, who were born in 1980 (Claudio Strüby) and 1982 respectively (Raffaele Bossard). Bassist Raffaele Bossard is already a longtime companion of Haider and has already recorded four albums alongside the pianist.

As a companion, Bossard acts at the same time solidly and with agility, and his improvisatory digressions are characterized by a wonderful balance of gravity and virtuosity. For Bossard, the bass is a bass and not an oversized guitar. Bossard is omnipresent on the Swiss scene; among others, he is active in the groups Pilgrim of saxophonist Christoph Irniger, Mats-Up of trumpeter Matthias Spillmann and Plurism of drummer Dominic Egli. This is the first recording with Haider for the very busy drummer Claudio Strüby. Strüby has become known in recent years through his work in the crossover trio Rusconi, but has also cooperated with “elder statesman” Andy Scherrer. Strüby’s supple, punchy playing style, full of surprising accents, fits optimally into a piano-trio context.

The majority of the pieces on Waltz For Ever were composed by Haider. When composing, Haider is initially inspired by people, situations and stories. However, composing craftsmanship is required when working out the pieces, for example, in the choice of keys or in the thematic fine tuning. Katy’s Katzenvilla actually existed, and Haider remembers vividly even today how one day two cats carried a whole sack of sausages from the dining table over a fence into a nearby forest. Haider is a gifted narrator of anecdotes. Much of his lovely storytelling can also be found in his piano playing. Haider does not want to amaze his listeners, but instead enchant them. If you ask Haider about pianists who have influenced him, he first mentions two rather unfamiliar names: Claude Williams and Dick Twardzik. He also mentions Dave Brubeck, Sonny Clark, Tommy Flanagan and Bill Evans. Then there was McCoy Tyner as later influence. Actually, Haider is a forgiving type, and yet he remains unforgiving on some points. Consequently, a question mark can be added to the title The Reconciliation, Haider said. In fact, it is not a love, peace and harmony piece, but a rather attacking number.

When selecting the three pieces from the “Great American Songbook”, Haider was guided by personal reminiscences. He learned to love the ballad Darn that Dream listening to a version by the blind Spanish pianist Tete Montoliu. Haider used to play the song Nature Boy, which was made famous by Nat King Cole, in duo performances with the trumpeter Charlie Shavers. And Ev’ry Time We Say Goodbye was on his wish list after hearing a touching version by Ray Charles. Of course, the fact that this piece with the lines Ev’ry Time We Say Goodbye /I die a little receives an additional dimension at Haider’s age goes without saying.
But for now, his motto is: Now more than ever!
Tom Gsteiger
Immer wieder hörenswert!
Haiders sechstes Trio-Album 'Waltz For Ever' schwankt zwischen Weisheit und Kraft.
Haider, ein Wahl-Schweizer, wird auf diesem wunderbar abwechslungsreichen Album von zwei Schweizer Jazzmusikern begleitet, die 1980 (Claudio Strüby) bzw. 1982 (Raffaele Bossard) geboren wurden. Der Bassist Raffaele Bossard ist bereits ein langjähriger Begleiter von Haider und hat vier Alben zusammen mit dem Pianisten aufgenommen.
Als Begleiter agiert Bossard gleichzeitig solide und agil und seine improvisatorischen Exkurse zeichnen sich durch ein wunderbares Gleichgewicht von Schwerkraft und Virtuosität aus. Für Bossard ist der Bass ein Bass und keine überdimensionale Gitarre, er ist in der Schweizer Szene allgegenwärtig. Dies ist die erste Aufnahme mit Haider für den vielbeschäftigten Schlagzeuger Claudio Strüby. Strüby ist in den letzten Jahren durch seine Arbeit im Crossover Trio Rusconi bekannt geworden, hat aber auch mit dem " elder statesman " Andy Scherrer zusammengearbeitet. Strübys geschmeidiger, druckvoller Spielstil, voller überraschender Akzente, fügt sich optimal in einen Piano-Trio-Kontext ein.
Die meisten Stücke auf 'Waltz For Ever' wurden von Haider komponiert. Beim Komponieren lässt sich Haider zunächst von Menschen, Situationen und Geschichten inspirieren. Allerdings ist bei der Ausarbeitung der Stücke eine handwerkliche Ausarbeitung erforderlich, z.B. bei der Wahl der Tonarten oder bei der thematischen Feinabstimmung. 'Katys Katzenvilla' gab es tatsächlich und Haider erinnert sich noch heute lebhaft daran, wie eines Tages zwei Katzen einen ganzen Sack Würstchen vom Esstisch über einen Zaun in einen nahe gelegenen Wald trugen. Haider ist ein begabter Erzähler von Anekdoten. Vieles seiner Erzählkunst findet sich auch in seinem Klavierspiel wieder. Haider will seine Zuhörer nicht verblüffen, sondern verzaubern. Fragt man Haider nach Pianisten, die ihn beeinflusst haben, so erwähnt er zunächst zwei eher unbekannte Namen: Claude Williams und Dick Twardzik. Er erwähnt auch Dave Brubeck, Sonny Clark, Tommy Flanagan und Bill Evans. Dann gab es McCoy Tyner als späteren Einfluss. Eigentlich ist Haider ein nachsichtiger Typ und doch bleibt er in einigen Punkten unnachgiebig. Folglich kann dem Titel 'The Reconciliation' ein Fragezeichen hinzugefügt werden, sagte Haider. Tatsächlich ist es kein Stück von Liebe, Frieden und Harmonie, sondern eher anzüglich gemeint.
Bei der Auswahl der drei Stücke aus dem "Great American Songbook" ließ sich Haider von persönlichen Erinnerungen leiten. Er lernte, die Ballade 'Darn that Dream' zu lieben, als er eine Version der blinden spanischen Pianistin Tete Montoliu hörte. Haider spielte den Song 'Nature Boy', der durch Nat King Cole berühmt wurde in Duo-Auftritten mit dem Trompeter Charlie Shavers. Und 'Ev'ry Time We Say Goodbye' stand auf seiner Wunschliste, nachdem er eine berührende Version von Ray Charles gehört hatte.
Im Augenblick jedoch lautet sein Motto: Jetzt mehr denn je!
Tom Gsteiger

Artist(s)

Joe Haider (piano)

Joe Haider is a cantankerous personality of the European jazz world. If our listen to him speak, you are confronted with deep Swabian dialect, but if you can hear him play, with a profound swing. This music and the associated feeling of dazzling freedom have accompanied him during his whole life, ever since the surprised boy was lifted by a GI onto a tank in the days after the end of WWII and was brought into contact with chocolate, music and the American way of life. Even if the modern, hard bop, blues and even a pinch of soul have influenced his style over the decades, the now 82-year-old pianist and Swiss national by choice from Darmstadt, who was active...
more
Joe Haider is a cantankerous personality of the European jazz world. If our listen to him speak, you are confronted with deep Swabian dialect, but if you can hear him play, with a profound swing. This music and the associated feeling of dazzling freedom have accompanied him during his whole life, ever since the surprised boy was lifted by a GI onto a tank in the days after the end of WWII and was brought into contact with chocolate, music and the American way of life. Even if the modern, hard bop, blues and even a pinch of soul have influenced his style over the decades, the now 82-year-old pianist and Swiss national by choice from Darmstadt, who was active in Stuttgart and Munich for a long time, continues with his special blend of rhythmic presence and matter-of-factness rooted in tradition.

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Raffaele Bossard (double bass)

Raffaele Bossard (b) enjoyed his jazz music studies at the Jazz School in Lucerne and during studies in New York (among others, with Ron Carter). In addition to his own bands, he plays with elder statesman Joe Haider – and in Subnoder for the past few years. His creative, but always solid accompaniment is a decisive component of the band sound, and his solo pieces are always good for surprises.
more
Raffaele Bossard (b) enjoyed his jazz music studies at the Jazz School in Lucerne and during studies in New York (among others, with Ron Carter). In addition to his own bands, he plays with elder statesman Joe Haider – and in Subnoder for the past few years. His creative, but always solid accompaniment is a decisive component of the band sound, and his solo pieces are always good for surprises.

less

Composer(s)

Joe Haider (piano)

Joe Haider is a cantankerous personality of the European jazz world. If our listen to him speak, you are confronted with deep Swabian dialect, but if you can hear him play, with a profound swing. This music and the associated feeling of dazzling freedom have accompanied him during his whole life, ever since the surprised boy was lifted by a GI onto a tank in the days after the end of WWII and was brought into contact with chocolate, music and the American way of life. Even if the modern, hard bop, blues and even a pinch of soul have influenced his style over the decades, the now 82-year-old pianist and Swiss national by choice from Darmstadt, who was active...
more
Joe Haider is a cantankerous personality of the European jazz world. If our listen to him speak, you are confronted with deep Swabian dialect, but if you can hear him play, with a profound swing. This music and the associated feeling of dazzling freedom have accompanied him during his whole life, ever since the surprised boy was lifted by a GI onto a tank in the days after the end of WWII and was brought into contact with chocolate, music and the American way of life. Even if the modern, hard bop, blues and even a pinch of soul have influenced his style over the decades, the now 82-year-old pianist and Swiss national by choice from Darmstadt, who was active in Stuttgart and Munich for a long time, continues with his special blend of rhythmic presence and matter-of-factness rooted in tradition.

less

Press

... A dandy oasis of solid playing that doesn’t need affect or effect to make it’s succinct point...
Midwestrecord, 01-8-2020

A beautiful album to reveal your head.
Dr. Jazz, 17-5-2019

... The gentle intensity and driving force of the trio leads to strong moments of interplay, whose manifold handling of individual compositions already bears dramaturgical traits...
Jazzpodium, 04-12-2018

If you like, you can experience an unfaltering hero here, whose fire still blazes brightly even at almost 83 years of age.  
Jazzthing, 24-10-2018

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Often bought together with..

Keep It Dark
Joe Haider Jazz Orchestra
Tales of 2 cities
Walter Lang

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